How to Make Money Writing Books - The Internet Publishing Revolution 1

We stay in an international of quiet revolutions. Only a few years ago, the concept of a flat-display screen TV became considered inside the realm of Star Trek. Today you cannot purchase a traditional cathode-ray TV. That’s just one example.

This report is set as a similarly quiet revolution that has large repercussions for the publishing industry and is famous for how normal humans – some no longer even writers in the conventional experience of the word – can propel themselves into a brand new international prosperity. And I will display how one character used this to create six discern incomes from publishing (agree with it or not), a nine web page record.

How to Make Money Writing Books - The Internet Publishing Revolution

A survey published via Readers Digest some five years in the past found out that seventy-two% of humans felt they ‘had an ebook inner them,’ and the big success of J. K. Rowling (real name, Joanne Murray) has brought about many to attempt their hand at writing for profit.

Many methods are mirrored by using the music enterprise. Every day lots, if no longer, thousands and thousands of young hopefuls write and carry out songs they wish will someday be a huge hit, and the way to a quiet, however awesome revolution inside the track industry, extra of those new songs are a hit than ever earlier than in records.

For over 100 years, the Producers ruled the music industry. These agencies were household names – EMI, Columbia Records, HMV, Decca, Virgin, CBS, and BMG, to call but a few, and the simplest hazard of success any aspiring songwriter had lain in getting observed with the aid of a record producer who could accept and promote their paintings.

And for a maximum of that hundred years, song manufacturing was mechanical – vinyl records observed by cassettes and CDs. Then the force of a free internet revolution hit the music industry completely in the face.

First, the MP3 report was invented by the German organization Fraunhofer-Gesellschaft. In 1997, Tomislav Uzelac of AMP was the primary to integrate the participant-software program into Windows, and in 1999, a business enterprise calledSubPopbecame the primary to distribute track tracks in MP3 format. (Info courtesy of About.Com – inventors.)

Music had unexpectedly gone virtual.

The real leap forward came in October 2001, when Apple released the iPod, a polished DAP (Digital Audio Player). DAPs were invented by the British inventor Kane Kramer. Other DAPs had preceded the iPod. However, Apple has long been associated with layout excellence, no longer to mention that indefinable pleasant called ‘cool.’ The iPod took off.

What did these tendencies do to the conventional song enterprise, especially song stores? It decimated it in nearly a single day. Sales of traditional CDs have collapsed globally, and what’s left is bought on internet websites. Conventional local music saves either long past absolutely or diverges into gaming and add-ons. On 7th January 2011, the Guardian newspaper wrote:

“In many US towns, it’s difficult to discover a file store. The final US HMV closed five years ago, Tower Records stopped buying and selling quickly after, and the ultimate Virgin Megastore closed its doors 18 months ago. You may discover a CD section in patron electronic shops, including Best Buy or Walmart, but the choice does not stray far beyond the top forty.”

“Musicians can self-post, selling their tunes off their websites. This has intended that pinnacle performers make fantastic sums – ways more than their counterparts in 1969. The Carpenters should be for cash for a brand new automobile, while their albums sold thousands and thousands. Now, because they can assure the big audiences, the musicians get all that money the label used to take. So tens of thousands and thousands float their manner. If you doubt, look at the private jets and helicopters owned and flown by using the lead drummer for Pink Floyd. Or approximately any rapper on late-night MTV. It would make a company CEO green with envy.” (Adam Hartung – thephoenixprinciple.Com)

This is what the Internet track revolution did: It moved a maximum of the profits far from a few file manufacturers at once into the arms of musicians.

In 1473 Thomas Caxton printed the primary ebook produced in the English language, using the progressive new printing press. Very little has changed concerning the production of books, newspapers, and magazines. It’s a hugely un-green industry. Lip carrier is paid to using sustainable forestry; however, although that has been completely authentic, it is extraordinarily invasive, akin to tearing the coronary heart out of mother earth and watching for it to re-grow. Many of the chemical substances and bleaches used are much less than exceptional. Until recently, the carbon powder used for inks production was regarded as a toxic carcinogen. Something has got to trade.

Ironically, readers of books are frequently humans with the judgment of right and wrong and have a highbrow leaning to being kind to the surroundings. I say satirically because a few of them are less than impressed with the concept of having rid of traditional books in favor of the publishing version of the iPod – the eBook Reader.

When the iPod first came out, its slogan was, ‘One thousand tunes in your pocket.’ I cannot consider what number of CDs it’d take to replace the songs on the common iPod. However, I am prepared to guess that the total price to make those bodily CDs is vastly a couple of iPods.

The eBook reader (eReader) is the ebook lover’s equal to the music lover’s iPod. ‘one thousand books on your pocket.’ The equivalent of the MP3 report is surely Adobe’s PDF (Portable Document File). Every computer has Adobe’s PDF Reader established because nearly every computer software now has its guide reproduced in this format. Why? Because it is inexpensive to stick a two hundred-page guide onto a CD, it’s miles to rip down and system half a wooded area.

To be honest with people who choose paper books, there are several factors about eReaders that are not as exact as printed fabric.

First, the technology behind eReaders continues to be being evolved. E-Ink screens still lack contrast, and, like the first Ford automobile, you could have any coloration you want as long as it’s black. Color screens are nevertheless in development unless you select an iPad, which doubles as an eBook reader even though it continues to be a pc at heart. And yet, this is just as desirable on the day of an eBook reader because the printed model isn’t ways off. It may also be that the iPad becomes the brand new eReader of famous desire or that Amazon’s Kindle will take the flag. We shall see.

Nevertheless, the writing is on the wall for paper publishing. Newspapers like The Times are occurring-line and require subscriptions to see the modern-day news. More and more books have virtual versions. And to be flawlessly frank, if it wasn’t for the sheer size of the whole printing enterprise, any 1/2-inexperienced government could position an immediate quota and tax on something so detrimental to the environment. In reality, the opposite holds for eBooks, which can be significantly green but are all taxed at the full Vat rate.

Although the iPod’s eReader equivalent remains in the making, the digital book’s day is firmly here. It could increase most effectively while traditional bookshops stay down at a fee of two a week.

The strength of facts publishing

While this sounds ominous from the factor of view of traditional booksellers and publishers, not nothing might be further from the reality about authors, or what I select to call ‘creators of written virtual merchandise.’ Like the musicians inside the iPod revolution, the electricity (and the cash) has moved far away from the huge ebook homes into the writers’ ranks. And in an equal manner that one fairly quick pop single can trace the fortunes of a new musician almost overnight, so can a small written similar alternate the end of even the maximum primary of writers if they understand what to do.

Beethoven and Wagner’s times failed to write two-minute hit singles; they wrote symphonies – the musical equal of a huge novel. Today, very few musicians compose lengthy works. They compose singles. Singles are quick to create and are popular. They may match on to supply an album, but this will forever be a singles compilation. Gone are the exceptional symphony composers of vintage. The modern track is short, frequently brief-lived, but also very worthwhile.

This difference isn’t so clear in publishing. Today, if I say I am an author, I believe I write novels. Not so. I am a records writer, and this is about as some distance from novel writing as Wagner’s Die Walküre is from Turn My Swag On by using Alexa Goddard.

It also needs to be said that the current musician’s industrial mindset is some distance superior to that of the modern-day creator. Most writers might rival Thomas Caxton for still being in the dark.

The present-day and shortly-to-achieve success music creator no longer sends a personal recording of his new hit unmarried to a music producer in the hope of catching his ear. There is a unique manner, and it’s far this:

First, they can have the industrial experience to examine the kind of tune this is maximum popular and put together all of the synthesizers and gizmos necessary to create a valid that is present day. The days of 3 guys with acoustic guitars and a drum set trying to copy The Shadows are long gone.

Next, they may create their track. It might be brief, sweet, and as tremendously polished as they can make it.

Next, they’ll have their website. It will look clever and contain many free ‘songlets’ with a video of them making a song about their contemporary advent. Their domestically produced video can still appear expert in using inexpensive video modifying software programs.

Next, they’ll use the power of the Internet to sell their paintings. To do this, they’ll do a combination of things – viral advertising and joint ventures. No longer do they want to kowtow to song manufacturers. In the vintage days getting exposure became highly costly. Today anyone may have their 15 mins of fame, certainly using doing something dumb on YouTube. Viral marketing (one individual telling others who informs others and so on) does the relaxation. Today, modern-day songwriters have become self-publishers; that’s arguably the most effective region where publishing is beforehand of the track sport.

Self-publishers are folks who write and publish their paintings. It’s now not new. Mark Twain self-posted some of his works. So did William Blake, Stephen King, Rudyard Kipling, Lord Byron, E.E. Cummings, Alexander Dumas, T.S. Eliot, Benjamin Franklin, Thomas Hardy, Ernest Hemingway, D.H. Lawrence, Edgar Allen Poe, Alexander Pope, Beatrix Potter, Ezra Pound, Marcel Proust, George Bernard Shaw, Shelley, Alfred Lord Tennyson, Thoreau, Leo Tolstoi, Walt Whitman, and Virginia Woolf. So if you decide to self-put up, you will be in the appropriate corporation. The question is, what ought to you write?

The reality is that the Internet publishing revolution is about to become a brand-new phenomenon for self-publishers. It virtually has little to do with eReaders and so forth. It’s a far larger sport that maximum websites have not pretty grasped, conventional writers haven’t got in any respect, and the average individual thinks they cannot do it because they do not assume they may be writers. But it truly is exactly the point. Writers do not now be successful on the Internet. The average person makes money because they are not loaded with all the luggage writers have in their artwork. It’s not writers who make cash on the Internet; it is product builders, especially – ‘creators of written digital products’ otherwise known as eBook/report writers.

Let me show you how to make money on the Internet nearly overnight, after which I come up with an example. Please read this carefully, as it’s 24-karat gold.

Most people don’t know how massive a few websites are on the Internet. It’s tough to inform, except they let you know. In 2003 I noticed an internet site known as eDiets.Com, and on its pages, it mentioned it had nearly 14 million subscribers to its bi-weekly online newsletter. That supposed that two times every week, this website sent an email to 14 million people.

Now think the owner of this mega-website phoned me up and said, “Hey, Phil child. How’s it hangin'” or something like that and asked me to prepare a ‘special’ report, not a lot longer than this one, approximately dieting – say – Top Ten Dieting Secrets. He counseled I place it collectively with a one-page website. But he wouldn’t pay me for this, at the least now, not immediately. He might advocate and publicize my document to fourteen million human beings in his next newsletter. I may want to rate what I liked for the record, and he could take 60% of the income. Is this a bargain?

Let’s work it out. Suppose I charged the simplest ten bucks, and he will propose it to fourteen million individuals who already listen to what he writes, so I don’t need to do any marketing. Let’s anticipate the simplest 1% (140,000) buy the book. That’s overall sales of 1,400,000 bucks, of which I preserve forty%, just over half of a million dollars.

Half one million bucks for a 12-page eBook? Does this sound like a good buy? I assume so.

Of course, I did say that Hiram E. Cattle Rustler Jnr. Phoned me as much as they made this offer, and that won’t occur. But we can put together the project and position the deal to him; in any case, it’s well worth 840,000 bucks to him on my own, and all he has to do is send out an email that he was going to send out anyway. It’s a no-brainer and now not terrible for an afternoon’s paintings.

Okay, this is a pinnacle of the range instance, and the potential is surely better than this. I would, in my opinion, consider a 1% response to be very poor. My common is 20%, however, on smaller websites. It’s still correct money, although. And the range of websites is limitless.

The Internet publishing revolution is this new electricity to behave as a data provider to thousands and thousands of people at no price using existing websites as bookshops. It’s simpler than writing a song and calls for very little funding. There isn’t any stock, printing, threat, or win-win scenario for every person worried.

When I downloaded his book, it became most effective nine pages long. Did this matter? No. His answer became sound, and I haven’t had any court cases.

My first ebook was launched in 2004 at a rate of almost $20. It’s no longer an amazing example of an easy first try as it became an actual book and, consequently, pretty specific. Nevertheless, I used the same advertising strategies used by new musicians, and the result was at least 100,000 downloads. Regardless of that truth, I have hardly ever finished any promoting past the first week of release. I nevertheless acquire cheques every week.

A buddy of mine in Manchester currently made himself over £30,000 in less than seven weeks doing this.