Since 2007, photographer Ward Roberts has documented sport courts of all kinds. Coinciding with the release of his second book, "Courts 02," he gives insight into the process of finding and photographing these unexpectedly beautiful locations.

O look at the pics of artist Ward Roberts is to revel in time and again — and still again — how an image can unfold before you, how it may blossom and bloom, revealing the depth of its difficulty each in an unmarried instantaneous, in addition to through the years.
On the grounds that 2007, Roberts has focused his interest on documenting sport courts of a wide variety — basketball, tennis, to name best — that are carved into the overgrown urban panorama.
How architects are redefining stadium design
Hold cool and carry on: New traits in stadium design
Study: Mesmerizing snap shots blur the line among structure and art
Having photographed over one hundred courts to date, Roberts captures these areas to appear right now acquainted and overseas, singular and resonant.
Before everything, your eye can be dazzled by using his photos’ vibrant shades, terrific compositions, and cinematic buoyancy. Look longer, and the pics take on a ghostly exceptional, form-transferring among the concrete and the abstract, pointing to the presence of a positive absence.

The tremendous irony of Roberts’ ongoing “Courts” collection is that it’s so deeply rooted in the world — so attentive and sensitive to the right here and now — that it achieves what can handiest be described as an otherworldly aura.
A reverent perspective
“Perfection is the enemy of greatness,” Roberts likes to mention, and his images, despite the fact that impeccably composed show just how authentic this is.
Appearance closely at the courts — immerse your self within the image — and you’ll discover the flaws via which the pix specific their breath.
How structure’s best photographers are setting humans again in the image
structure’s first-class photos: Capturing the soul of a constructing
Stare at the vibrant colors of a row of bleachers to see how the paint is peeling, weathered by way of the sun and rain.
Note how the flawlessly engineered lines of a court are interrupted by using a line of laundry. The cracks in the pavement, a balding area of grass, clothes hung in windows, a hoop-less backboard: signs of existence are everywhere inside these astounding locations, regardless of the reality that there aren’t any bodies on view.
Study: How Laurent Kronental captured the soul of Paris’ housing giants
As all iconic photos inevitably do, Roberts’ “Courts” have now emerged as a force of their very own, circulating the sector with excellent pace via the dashing slipstream of the Internet, accumulating momentum and making their mark upon the global eye.
His paintings has brought together a developing community of fans, with whom he feels a humble sense of connection.
That is, in an experience, the most beautiful mirrored image of the essence of what makes his snap shots so riveting, his artwork so powerful: he gives existence to the areas of images, and images to the spaces of life.

Read More: